Chanakyan director speaks
With Chanakyan not coming up as part of the Kamal A2Z series yet, this might be a good time to hear from the old favourite’s director. Here’s an old interview from Rediff.com with Rajeev Kumar. Excerpts:
…I had this dream of making a film with mimicry as the background.
Finally, when I got my chance to make a film for Navodaya, I thought of my dream. As the director, I was very excited about the theme and the climax because I thought it was very unconventional.
…Then Navodaya fixed up an appointment with Kamal Haasan for me. I went there, met him and narrated the script. He agreed to do the film. Remember, I didn’t know him at all. I told him, “This is my first film and the producer has confidence in me. Similarly, you should have confidence in me. I cannot make any changes in the script as this is my first film and this is the way I want to make it.” He was very positive in his approach.
The advantage I had by making the film with Kamal was that nobody expected anything from him as he experimented with bold themes. Every twist in the story stunned the audience. That was why the film became a big commercial success. The film surprised the audience.
…Chanakyan was a success and was well appreciated. But the reality was something else. Not a single producer came forward with an offer because Chanakyan did not fall in the usual commercial category. They considered its success an accident.
I was worried. Then, I was asked to do a period film with Kamal. Kamal was very excited about the project but, after researching and working on the script for more than a year, it did not work out.


November 6th, 2007 at 9:30 pm
I regret not being able to write a complete article on the movie. So I’ll try to make up with the comment. The interesting issue in the article is how Kamal did not insist on a change in the script. (I am assuming Mammootty wanted a change in the characterisation of the hero, who transforms from a very soft artistic type to a lover scorned and hell bent on revenge.). Another thing that made the movie ahead of its time was the use of technology. I remember a very specific sequence where a remote controled transport device was used. Yes, that isnt exactly cutting edge but considering the general apathy for science fiction in Indian cinema it was pathbreaking. The movie also features a ridiculously young Urmila Matondkar (It was only 6 years after Masoom)!, So Indian was not their first or only movie with each other.